Hélène et les Garçons est une série télévisée française en 280 épisodes de 26 minutes, créée par Jean-François Porry, produite par AB Productions et diffusée du 11 mai 1992 au 22 novembre 1994 sur TF1. Il s'agit d'un spin-off de Premiers Baisers, centré sur le personnage d'Hélène Girard, interprété dans les deux séries par l'actrice Hélène Rollès.

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Helene Wilfur is a brilliant student at a medical school devoted to research, and the outstanding student of Professor Amboise. Pierre Rguier, another student, is in love with Helene but, after learning he has an incurable disease, commits suicide. Helene returns to her work and studies, and devotes herself to Amboise, who has been disconsolate over his faithless wife.

Kitazawa Haku had watched a movie and dreamed he was in a parallel universe. Meanwhile, Ryū, the older brother of Haku's friend Takeru, is facing down boys' bar owner Rokujō. Then Ryū becomes fascinated with Kikiyō standing behind Rokujō. On the day of the yearly festival, Haku suddenly disappears. Takeru disappears while in search of Haku. Ryū disappears while following Kikiyō. And then Rokujō also disappears.

The third movie in Léona Hirota's 'Candy Boys' series.

To celebrate Axel’s coming of age, his older brother Nino offers him to spend the evening with a prostitute : a gift that may surprise him.

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La belle Hélène is the work that confirmed Offenbach's international reputation. The libretto caricatures the conventions of Greek mythology to poke fun at contemporary society, and the melodies, once heard, never leave you. The erotic and political scandal surrounding the creation of this work ensured its immediate and enduring success. We are carried away by music that is always new and inventive, sprinkled with nods to other works: the dream duet between Helen and Paris, the patriotic trio mimicking Rossini's William Tell, the ensemble of "the man with the apple" and the waltz of the "vile seducer"... Not to mention the exquisite humor of the language, whose inventions, such as "plis de vaillance" (folds of valor) and "poux de la reine" (queen's lice), have entered the lexical fund. In this celebration of Offenbach, we constantly swing between laughter and beauty, indulging in the pleasure of all the senses...

This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment.